As the editor on Hungrytown USA, where a lot of the show’s identity was shaped in post. The storytelling leaned heavily on editorial rhythm and a distinct motion graphics style inspired by Moonrise Kingdom; structured compositions, deliberate pacing, and playful visual framing that gave the series a point of view beyond traditional unscripted formats.

That visual approach was paired with Fred Willard’s dry, conversational VO, which became a driving force in how scenes were built. The edit was less about forcing structure and more about creating space for that tone to land; letting moments breathe just enough for the humor to come through naturally, then punctuating it with graphics and timing that supported the delivery without overwhelming it.

A lot of the work lived in that balance between stylization and authenticity. Using motion graphics as a storytelling tool, not just decoration, and shaping the pacing so the humor felt effortless. The result was a series that felt both carefully constructed and completely relaxed at the same time.